Alfred Homann
Born in 1948, Alfred Homann was a multi-award-winning Danish architect and designer. He graduated as an architect from the Royal Danish Academy of Fine Arts in 1976 and after spending some years as a student working with different Danish and American Architects, he founded his own studio in 1978 in Copenhagen – 30 years old.
Simplicity, clarity, and logic were always the most important parameters for Homann, and his keen eye for details is evident in everything he designed. Homann created furniture and lighting, as well as architectural projects at museums, railway stations, private residences, and public buildings – everything with great precision and thoroughness.
In 1987, Homann established Homann Design Inc. in the United States from where he worked on different projects in addition to his Copenhagen studio. He travelled the world giving lectures and presentations in the USA, Japan, Russia, and Europe.
Furthermore, Homann was acknowledged with multiple international awards during his career for both design and architecture - for example the Red Dot award, IF Product Design-Award, and a Brunel Award. Alfred Homann died in 2022, 74 years old.
Read more about Alfred Homann
Bodil Kjær
Danish professor and architect Bodil Kjær has significantly contributed to the spread of Danish Modern design principles through her travels, knowledge gathering and promotion of the relationship between design and architecture.
Morten Gøttler
Born in Copenhagen, and originally trained in shipping, Morten Gøttler became a self-taught designer and architect recognized for his exceptional understanding of wood and strong belief that innovation is the foundation for successful design.
Vilhelm Lauritzen
Vilhelm Theodor Lauritzen was one of Denmark’s most influential architects an one of the founders of Danish Modernism. Today, many of his projects remain as lasting examples of a new and revolutionary approach to architecture in which form followed function. Throughout his career, he maintained that architecture should be an applied art that serves all, not just the privileged few.
Børge Mogensen
Børge Mogensen’s creative process produced long-lasting pieces with humans at the center. He worked primarily with wood and pioneered democratic design, becoming a highly-influential, post-war representative of Danish Modern.
Hans J. Wegner
Among Danish furniture designers, Hans J. Wegner is considered one of the most creative, innovative and prolific. Often referred to as the master of the chair, Wegner designed more than 500 chairs in his lifetime – many of them considered masterpieces.
Anker Bak
With an unconventional background and personal design approach, Anker Bak pushes conceptual and physical boundaries via quality materials, sublime craftsmanship and functionality. His designs make a difference in people’s lives and meet real needs.
Rikke Frost
Danish designer Rikke Frost has always been curious about the combination of different craft traditions and types of material, a fact clearly reflected in her design portfolio where traditional and contemporary design is expressed in sofas, tables, chairs and lamps with an organic idiom.
Arne Jacobsen
One of Denmark's best-known and most respected architects, Arne Jacobsen has become synonymous with modernism throughout the world. His precise yet expressive aesthetic continues to serve as a source of inspiration for contemporary designers.
Bonderup & Thorup
After graduating from the Royal Danish Academy of Fine Arts’ School of Architecture in Copenhagen in 1969, Claus Bonderup and Torsten Thorup began a collaboration that led them to join forces on design projects across the globe for more than 20 years.
EOOS
Austrian collaborative, EOOS, were established in 1995 by Martin Bergmann, Gernot Bohmann, and Harald Gründl. The trio study historical roots in a contemporary context and focus on myths, rituals and intuitive expressions, to create original connections.
Kaare Klint
Kaare Klint is recognized as the father of modern Danish design and a renowned furniture designer, educator, and visionary. He insisted on clear, logical design, clean lines, the best materials, and superb craftsmanship, as seen in his iconic Safari Chair from 1933.
