Henning Koppel
Danish sculptor and designer Henning Koppel (1918-1981) is regarded as one of the most important Danish designers of all time. Koppel is best known for his work with silverware, but he also worked with other materials such as porcelain, granite, watercolour, steel and glass. Koppel had an elegant and precise sense of proportions. He always managed to find the ideal balance, regardless of the material at hand, creating timeless and enduring works.
Henning Koppel was born in Copenhagen in 1918 as the son of an editor, but the young Koppel was not attracted to an academic career. He left school at the age of 16 and enrolled in the School of Sculpture at the Royal Danish Academy of Fine Arts in 1936, followed by Academie Ranson in Paris in 1938. By the age of 17, Koppel made his debut at Kunstnernes Efterårsudstilling with a portrait bust showcasing his sculptural skills. In 1945, Koppel began a lifelong collaboration with the Georg Jensen silver smithy, where he designed jewellery, corpus silver and cutlery. Then in 1961, he began working with porcelain at the Bing & Grøndahl porcelain factory. Later in 1972, he designed the Bubi lamp – one of his rare lamp designs.
Koppel experimented with organic and sculptural forms in his design and art, often drawing inspiration from nature, while employing elegant proportions and a pared back, minimalist expression. Koppel's design language was characterised by minimalist, elegant lines and functional aesthetics. At the beginning of his career, Koppel adopted a sculptural approach to many of his works, but this changed over the course of his career, and Koppel’s idiom became more streamlined and formal in the 1970s. In Koppel’s career in applied art, the utilitarian element became the focal point of the design process. However, he always strived to give his designs a vibrant individual expression that could make them more than just simple utility objects.
Henning Koppel’s work has had a great influence on Danish design history and has received recognition both nationally and internationally. He has garnered several design awards and accolades, including a gold medal at the Milan Triennials in 1951, 1954 and 1957, the Lunning Prize in 1953, the International Design Award in 1963, Der Goldene Löffel in 1963, the Diamonds International Award in 1966, the ID Prize in 1966, a gold medal in Florence in 1967 and a silver medal at Exempla 70 in 1970.